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Gibson Les Paul Modern Figured Cobalt Burst

Sale price $2,787.00

SKU:  1-LPM01CXCH1

Only 1 in stock

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Specs
Brand
Gibson
Condition
New
Colour
Cobalt Burst
Top Wood
Body Wood
Mahogany with Figured Maple Top
Neck Wood
Mahogany
Fretboard Wood
Ebony
Neck Shape
Asymmetric SlimTaper
Radius
10" - 16" Compound
Scale Length
24.75"
Tuners
Grover Rotomatic
Number of Frets
22
Fretboard Inlays
Trapezoid
Bridge
Nashville Tune-O-Matic
Pickups
2x Gibson Burstbucker Pro (Neck & Bridge)
Controls
2x Volume, 2x Tone (Push/Pull Coil-Split), 3-Way Toggle
Case
Hardcase
Weight
Extra

The Les Paul that proves tradition and modern playability are not opposites

The Gibson Les Paul Modern Figured Cobalt Burst is for the guitarist who wants the soul of a classic Les Paul, but makes no compromises on playing comfort or versatility. With a beautiful figured maple top in the deep blue Cobalt Burst finish, this is an instrument that also makes a visual impression.

Two Gibson Burstbucker Pro humbuckers deliver the warm, full tone for which the Les Paul is world-famous: rich lows, defined mids, and a present top end that cuts without biting. Thanks to the push/pull coil-split on both tone pots, a whole palette of additional timbres opens up, from bright single-coil sounds to rich humbucker fullness. The asymmetrical SlimTaper mahogany neck with an ebony fretboard and a compound radius of 10" to 16" makes fast runs and chord playing equally comfortable, from the first to the twenty-second fret.

The body is constructed from mahogany with a figured maple top, a combination that provides the characteristic sustain and warmth of the Les Paul. The Nashville Tune-O-Matic bridge and Grover Rotomatic tuners ensure stable tuning and accurate intonation. The electronics consist of two volume and two tone pots with push/pull coil-split function and a three-way toggle switch. The guitar comes with a hardcase.

Whether you're making studio recordings or going on stage, the Les Paul Modern Figured is an instrument that grows with you and never lets you down.

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